![]() When asked by The Onion about “Iron Man” and how it was perceived by the Seattle scene at the time, Sir Mix-A-Lot said: “Well, they didn’t like it. Getting together with his headbanging neighbors in Metal Church, the groups set about creating a new interpretation of Black Sabbath’s classic anthem, “Iron Man.” Appearing on Sir Mix-A-Lot’s debut album, Swass, the track is as much of a sonic success as Anthrax and Public Enemy’s collaboration or anything on the Judgement Night soundtrack (in which the rapper joined forces with another Seattle band, Mudhoney). It would be a decade before the advent of nü-metal pushed the style into conventional hours.ĭuring this incubation period, a young rapper from Seattle named Sir Mix-A-Lot tried his hand at the formula. Although Rick Rubin would have success when he got Slayer‘’s Kerry King to play on a Beastie Boys album, most of these sonic experiments were confined to Yo! MTV Raps and Headbangers Ball. The writing was on the wall: As good as rap and rock were on their own, blending the genres together was a recipe for success.įor years, musicians and producers tried to replicate the commercial magic of Run DMC. to new heights and entirely revitalizing Aerosmith’s career. The gamble paid off, catapulting Run DMC. with a burnt out group of ‘70s rockers called Aerosmith. ![]() Producer Rick Rubin took a huge risk when he paired Run DMC. As harbingers of truth, metal and rap are spiritual cousins. Different as they are on a musical and aesthetic level, the two genres share a quest to document the dark undercurrents of modern life. Over the course of the decade, these burgeoning youth movements were reaching sonic maturity and social relevance. By the late 1980s, heavy metal and hip hop were graduating from the underground to the mainstream.
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